Karavanserai
Lieve Prins & artist friends
de Lieve Prins
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À propos du livre
I have loved and lived with many types of people, but I feel most at home with artists.
Artists do not live in reality, they create and shape their own worlds out of nothing. When we meet, something magical happens, and one plus one equals three.
I like to allow these two fantasies to flow together and see what happens. However, it's not easy, as fantasies remain intangible unless converted into something visible or audible.
My portraits are brief symbioses of two imaginary worlds with me as the hostess.
They represent meetings with fellow artists. I see the artist in a particular light and they then reveal to me who they truly are. Together, we arrive at a single image.
This method suits my way of working down to the ground. It demands a great deal from my models, and the process is very intensive. The models are photographed in fine detail using a scanner, which requires them to lie on the glass plate. Light and features are then added and everything is done upside down and in mirror image.
The portrait therefore depicts more than just a model, it depicts the person's soul and life story.
How much influence the person has on the end result is unpredictable, and some subjects have more influence than others.
The final picture is therefore always a surprise.
I began to develop the idea last year, and I would like to keep working on it for the foreseeable future.
Lieve Prins
Caractéristiques et détails
- Catégorie principale: Livres d'art et de photographie
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Format choisi: Format paysage, 25×20 cm
# de pages: 90 - Date de publication: janv 11, 2018
- Langue English
- Mots-clés scan-art, copy-art, photography, Lieve Prins, art
À propos du créateur
lieve prins, Belgian-born (1948) Horizontal Theatre & Paintings with Light The photocopy machine and scanner has become an iconic informal meeting place in offices throughout the world, a universal grey box suited only for talk around or over. But for more than 30 years, Lieve Prins has refined an ability to speak with and through this humble office-bound device. How many of us suspected that this bulky, frustrating to operate and frankly dull exterior have disguised a machine with a soul that yearns to sing? Touch – a perfect encapsulation of the physicality of her work - shows that sing it does in the service of Prins’ earthy, cornucopian imagination. "[In photography], everything is reduced to a negative; you lose the sense of the real size of the subject. With life-scanning, all attention has to be focused on one body part, then you build up a fantasy image with these parts." It's dreamy, it's erotic -- but fresh squid on a warm scanner or photocopier? "Yes -- they stank!" Prins

