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Dickens Christmas Fair - 2011

Photographs by Rhett Redelings

de Rhett Redelings

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When I'm photographing an event, particularly one such as The Great Dickens Christmas Fair, where presentation and performance are critical to the experience, I'm always keen to try to find the genuine, human moments within the illusion. Occasionally, I will ask for a particularly compelling person to pose for me but more often, I prefer to remain invisible, taking a street photography approach; honoring my subjects as best I can.



I do not attempt to duplicate ore replicate the reality of the experience but instead try to create a kind of collaborative work with the subject and the environment, using a photographic equipment, opportunity and post-processing to, hopefully, bring out the best in all of us.



My humble and sincere thanks go out to everyone who works at every level each year to make the Dickens Christmas Fair such a delightful experience.



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RhettRedelin
Rhett Redelings
Bay Area, California, USA

I was given my first camera when I was 10. It was a budget-friendly, yet fully manual 35mm SLR with a built-in light meter. I had my first photo credit in a professional publication when I was 12. It gave me an attitude, and while I never gave up photography, I felt I'd learned all I needed to know about photography, and I let it recede into the background of my life as I pursued the many of the other interests most people call growing up. In 2005, frustrated with the limitations of digital photography, and at a creative impasse with my music, I rediscovered film photography by way of the Lomography/toy camera trend popular at the time, and finally learned a bit more about my craft, eventually coming to accept digital photography alongside my beloved celluloid. I am capable of making a proper photograph, but gravitate to alternative processes, as ways of disrupting reality, or clarity, in the pursuit of something emotionally evocative.

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